Enter the world of Jesus Camp, a brilliant documentary that chronicles the life of several people who attend or set up a "Jesus Camp" in (ironicaly) Devils Lake North Dakota.

Filmmakers Heidi Ewing, and Rachel Grady decide to focus mostly on the children that attend, with some focus on minister Becky Fisher who is one of the main architects of the camp.

Right away the filmmakers show a growing underlying change in the evangelical movement, to politicize their beliefs. Voice overs start talking about the newest supreme court nomination of Alito. However, once the focus starts on the kids who attend the camp the film gets its bearing.

What becomes obvious is that paranoia and fear is driven into the kids. There is Ashley a young girl, and Levi an older boy who seems to be on the quest to become a minister and preacher himself. It's obvious he likes the attention that is given him. But the kids are still kids, Levi and his friend go out into the woods and do what all kids do, explore find a scary spider, Levi even mentions, I like to throw rocks.

But then they are back in lessons again, scarred out of their boots in a sermon as they are being told to stay away from Harry Potter, abortion, and that they are essentially dirty from all the sins they carry. Most of them can't hold back the tears. Levi mentions he said he was saved when he was 5 years old (I can only think of the horrible things that he must have been guilty of to be converted (too much sugar cereal maybe?) ) The filmmakers do the smart thing and let the pictures and words speak for themselves. There is no voice over narration, no probing questions from the film-makers to the subjects themselves. There is no debate. The words from the kids just come out, and they are frightening. A sense of brainwashing can only be observed as the kids talk about how they have to fight in gods army, and that everyone else has to be 'purged'. Never mind that at one point kids are worshiping at a card board cut out of George Bush.

Some scenes literally look like they could have came from the movie "Triumph of the Will".

But the brilliance is shown in the innocence that these children loose and don't seem to enjoy in. What young kid needs to know about abortion? or be cleansed of all the horrors of the world? Why can't the kids just make up their own minds with everything but in front of them? When do kids ever get to just.... play? They are hints in the film at that, kids will be kids, little late night camp ghost stories, some break dancing.. it's all in good fun, and perfectly fine.

But it seems like Jesus camp just wants to crush their spirits.

Kudos to the film-makers for showing it real.

I saw this film at the Silverdocs festival, expecting it to be little more than an oddball slice of Americana, but I was pleasantly surprised.

"Jesus Camp" revolves around a pentecostal minister who hosts a summer camp for children in North Dakota, and the sectarian Christian conservative families who send their children to this camp. Directors Heidi Ewing and Rachel Grady wisely chose to avoid the polemical tone of most politically-motivated films, and instead opt to present a mostly unfiltered glimpse of this odd subculture. But through carefully selected images and the use of talk radio commentary as a framing device, they construct a subtle, yet damning narrative about a religious movement that isolates its children from mainstream culture, indoctrinates them into right-wing causes, and uses them as political props.

At Jesus Camp, the daily activities include standard camp fare such as spelunking and go-karts, but they also include speaking in tongues and smashing coffee mugs emblazoned with the word "government". Children learn that "science doesn't prove anything," and learn to consider themselves part of an Army of God. They are compelled to pledge that they will fight to end abortion. They are even pushed into publicly confessing their impure thoughts, and many of them cry and wail charismatically.

The camp director explains that she admires the way Islamic cultures raise children so devoted they will risk their lives for their faith. When we ultimately see several of the campers being placed by their parents on the steps of the Capitol with tape over their mouths, protesting abortion, the real purpose of this camp is driven home.

But the most touching scenes are the ones where the children are alone, and we see the ways that this indoctrination creeps into the most innocent elements of childhood. 11 year old Tori loves dancing to Christian rock, but frets that it's not always easy to dance for God instead of "dancing for the flesh." On an outing to the bowling alley, 9 year old Rachael feels compelled to walk up to strangers and awkwardly evangelize to them, without being prompted. A roomful of boys telling ghost stories after dark are interrupted by an adult who warns them about stories that don't glorify God.

No doubt some viewers will accuse the filmmakers of the dreaded liberal bias. But this is not a work of fiction, nor is it slanted reporting. These are real people and real events, captured on film. If the evangelical movement comes off badly in this film, the people on screen have no one but themselves to blame.

This documentary offers a rare chance to get a close view inside a not very well known society within our society. I thought the content was very honest, and - although this is not the kind of movie people watch for entertainment value - I would like to point out that this is also a very well made film, and certainly never dull or boring.

Religious communities are not often very open towards journalists or filmmakers; they fear - probably with good reason - that their portrayal by the secular media is biased and that their believes are depicted in the wrong light. However, in this documentary the filmmakers were granted full access, and the evangelical community whose portrayal you get to see in the film got the chance to see it first before it was released to the general public. They thought it was an accurate depiction of their lifestyle and their believes.

What you see in this film is not staged - this is real, 21th century footage. Highly recommended. 9 stars out of 10.

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